Thoughts

The Future is in the Past, Luxury Professions, and other things on my mind

Another ramble about existential dread? You betcha.

This past Tuesday (as of me writing this several weeks ago), I overheard a fellow student say “statics class won’t matter if we’re all f***king dead,” in reference to the ever-present climate change crisis. Which is true. I know we place a lot of value in our education and grades but in the end none of that matters if our future is compromised. But of course we can’t improve the course of the future if we aren’t educated enough to figure out how. We must balance living and surviving, and somehow place a value on the present versus the future.

Naturally I’ve been thinking of my own path. One professor I have this semester brought up the fact that although architecture school can be compared to the rigor of some degrees earned by medical professionals, in the end a lot of architects have a ‘luxury profession’ (clients being businesses or individuals who can afford to have custom-designed buildings) whereas doctors, lawyers, and accountants have made their professions necessary to society and everyday people. In order to guarantee a stable job, especially in the case of a recession, you have to make your services vital to society (currently a STEM-centered society). There’s another factor here, too, which is quality of life. I could be an accountant, and have both money and stability, but I would hate that job. I’m sure there are people who are passionate about accounting, but I am not one of those people. Additionally, I could have a job that I love with both stability and good pay, but if I get home at night and have no free time to take care of myself and spend time with my family, then my quality of life suffers. What is the point of building a good life for yourself if you don’t have time to enjoy it…? Finding a balance seems rare, but I’m in still in school and don’t have first-hand experience with a full time job, so I wouldn’t really know yet what is possible.

Recently I listened to someone (Greg Kletsel, faculty adviser to the Comic Club) who’s in the process of making a zine to sell at Comic Arts Brooklyn. Someone asked him if the money he makes evens out with the time and energy he spent making the zines and he said no, but sometimes it is worth it just to get an idea out of your head and into the world, and that it is always possible that someone who has the ability to pay you will see what you’ve created and take an interest in your work. What risks am I willing to take now in order to see them pay off in the future?

At the previously mentioned Comics Art Brooklyn (can you tell I started writing this forever ago but never finished), I attended a talk between Chris Ware, Francoise Mouly, and Art Spiegelman (of Maus fame). Some interesting points from their talk, along with my own idea of what they mean:

  • “The future is in the past” (as in… everything has been done before, but there are always new ways to do old things)
  • Art, although not as valued nowadays as it should be (by the likes of the government & funding), is critical in “teaching empathy”. We are very much pushed in a STEM direction nowadays, which is great, but ‘soft skills’ must be learned and a good way to do that is through art, which is self-expression and the understanding of others’ expression.
  • “If someone sees something they don’t understand in a museum, they think they’re stupid. If someone reads a comic they don’t understand, they think the author is stupid.” It is all in the context in which art is presented which gives it a value. I think this loosely ties back to the talk with Prof Kletsel in which he mentioned that zines, which can be several pages of unique illustrations and a story, can be sold for as little as $5 while a print of a single image from the zine can be an acceptable price of $10. Of course quality of paper and that kind of thing is a factor, but zines are undervalued in the art space. A piece hung on the wall seems more important than a piece found within a book that’s been stapled together by hand. This also reminds me of that shredded Banksy painting- the art that was never meant to be stuck in the context of a frame (but of course the act of destroying it in order to remove its value made it even more valuable).

I feel like this is just the beginning of dissecting the value of art and time, quality of life, that kind of thing, but I’ve been sitting on this draft for at least a month. Have some photos from CAB…

Comics & Zines

First Year of Architecture School: A Zine

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A lil zine to encapsulate my first year of architecture school. Obviously didn’t go full in detail about my assignments and that kind of thing but it’s kind of a general overview of my thoughts and feelings towards the campus, food, my dorm, the city, etc… I experienced so much! It’s hard to remember things that weren’t normal to me but grew to be normal.

If you want to know what I did on a weekly basis, I did successfully post every Sunday night during the school year on my instagram (@elclapp) just to give a lil update. Still deciding on whether or not to do it again this year? It was a nice weekly personal reflection but I feel like I’m feeding into that toxic social media culture.

Here are some thoughts on the zine and my improvement from my 2018 ‘Senior Year’ zine:

  • One major difference is that the Senior Year zine was drawn over the course of the last part of the school year and post-graduation, while this one was drawn completely in the summer. This might have helped it look more consistent (but even then I started drawing in May, took a break, and finished in July). Also, drew a draft of the Senior Year one on paper, then drew over it digitally, whereas this one I just jumped in digitally.
  • I definitely like the limited color palette more than what I had going on last year with various bright colors, and I think that my art style is a bit more consistent with the simple cartoon and stick figure combo, though I’m still playing around with my art style as it comes to eyes and noses… I like drawing squiggly or triangle noses but for the sake of easiness I went with just a line. I like eyes with a pupil, but dot eyes are much easier to get looking the same (see my zine from last year for what I’m talking about… those eyes are all over the place). Don’t get me started on full bodies and hands… I don’t know what I’m doing (cough, one reason I wish arch students had foundation year)
  • I’m still working on my lettering. Typing all the text would probably save me a lot of time but I like the more personable feel of lettering. For a few places I wrote on top of text just so the spacing, size, and angle were consistent. Other places I got impatient (like the middle pages) and just wrote, which makes it a bit more sloppy. Rereading I found a few inconsistencies with my uppercase ‘I’s. Hopefully it is all legible though.
  • The cover! I really like how this cover turned out. I’m slowly creeping out of my comfort zone of static poses. Also really like the contrast of the colored photo background and my drawing, reminds me of like a graphic novel or something?? Idk I just like it. I’m standing in front of my second semester design final in my typical presentation outfit.

I hope you have enjoyed this lil thing I made, and thanks for reading this far! Can’t believe I only have about a month left of summer….

Let me know what you think in the comments or on instagram : o

Uncategorized

Some Poetry I Guess

Based on Milton Avery’s Girl With Cello 

Teacher’s Kid.
Perched in the backseat
“I want to play cello”
sitting, right angle
feet planted, praying mantis
two bodies merging
into one sound.
Balancing the musical equation,
I never learned bass clef.
Good Boys Doing Fine or otherwise.
Breaking and Entering.
The porridge is either
too old fashioned or too advanced.

 
Based on Doug Jeck’s Angel

Tourist of Heaven.
Dead weight in Sunday School,
ankles crossed,
hand open,
the body of christ,
tiny cups of grape juice.
Grafted into something,
never baptized.
Naked in your dream,
pretending to understand
the end of the world.
2012. Hobby Lobby.
Do you believe in God?
We haven’t talked about it since.

 

helptheangels

Thoughts

Never the Write Time

I discovered the magic of Google Drive in the July of 2013, during a writing camp in which our instructors would look and suggest edits on our assignments. It was revolutionary. Now, instead of passing back and forth a piece of crinkled piece of college-ruled paper between my friends, playing the ‘write one line and pass it on’ game, we could edit something together in real-time, all night or day long.

Below our works-in-progress we would have a comments section where we’d talk about our days or ideas for the story. We would create a shorthand to indicate whose turn it was (beginning with the use of emojis, evolving to just the use of an asterisk), and using the acronym bbe for ‘be back eventually’. If someone was on their computer, it was their responsibility to indent for the school-issued iPad users. Underneath the chat, we’d have a page count, a list of important in-story dates, and keep track of how many times we wrote common words like ‘said’. We hated the word giggle.

This led to multiple stories reaching 100 pages, 200 pages, 400 pages… None of these were written to be published. We even swore in some instances for them to never to touch the light of day. They were purely created for the sake of writing, for the sake of spending time together by bonding over character arcs and development and world building. Some of the best nights of my teenage life were spent taking my computer everywhere in the house, eating dinner in my room, hunched over with a blinking cursor with my friend’s name on it.

And those stories will remain in the dark, in the nostalgic locker of our minds for us to look fondly back on. Made by us, for us. Just us.

Recently a few friends mentioned how they miss those times, how they may want to write again, collaboratively, but it would no longer feel the same. I have to agree. It won’t feel the same. We now have “real-world” obligations, job schedules, college classes. Our valuable time can’t be ‘wasted’ by creating something that would never be shown to anyone else. We aren’t the same people we were in 2014,15,16,17…

I haven’t written fiction in years, at least not by myself. I recently kicked up the dirt on the grave of a short story I started writing around 2016, in the summer after 10th grade. I’m too self conscious to even share it now, though I did back when I started writing. Writing collaboratively gives you that immediate satisfaction and a sense of approval, someone else there to confirm your ideas and see something from a different angle. It also gives motivation to keep writing, makes you excited to text ‘I’m on the doc’.

How I long to be as confident as that 12-year-old, 6th grader Elizabeth who published fan-fiction online. Who carried her sketchbook around, open for all to see, full of art (illustrating my fan-fiction of course), enthusiastic for people to paw through it. I was a 6th grader, and it was acceptable to be ‘bad’ at things because maybe we were good at it for our age, and if nothing else it was certain we could get better. My peers would compliment my work, I was the designated artist or writer for school projects, it made me feel so good about myself.

How harsh 19-year-old Elizabeth is on herself, only 7 years later. I am most comfortable writing nonfiction nowadays, specifically about myself. It’s hard to get that wrong (it mostly entails googling how old people are in certain grades). Yes, people can still have an opinion about it, but writing fiction opens up a whole new level of criticism. Dialogue issues, world building inconsistencies, character diversity, plot holes, background stories. I get scared to even see another cursor on a Google Doc. Scared of them seeing my every backspace and error. Not to mention that I now attend an art school, where people are artistically gifted way beyond anything I have ever been capable of doing. If I am the most artistic and creative person in my family, but I feel barely adequate as an ‘artist’, what am I?

Criticism, even if it is never verbalized, terrifies me. But there’s no way for me to get better if I never try, or put anything out there to fail in the first place. There’s never going to be a ‘right time’ to do anything. That’s a very cliche conclusion and even knowing or acknowledging that doesn’t feel very helpful. I’m still very self conscious of my art and writing out of my comfort zone. I’m not quite sure how to get out of the rut. Except the whole “stop caring about what people think of you and make what you want to make” thing, which is easier said than done.

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